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Unexpected Views: Sharon Walters on 'Saint Margaret of Antioch' | National Gallery
Artist Sharon Walters talks about her work with portraiture and images of women in relation to Francisco de Zurbarán's 'Saint Margaret of Antioch'.
Sharon Walters is a London-based artist and project curator whose series entitled ‘Seeing Ourselves', is an exploration of identity, beauty standards, and race through intricate paper cut-outs and hand-assembled collages. With over 20 years’ experience of working in arts spaces, she continues to develop her practice working in community arts organisations, galleries and museums including the National Maritime Museum, Soho House, the Tate and the National Portrait Gallery, using them as platforms to explore and collaborate with voices of those who are often excluded and unheard.
🎨 Find out more about 'Saint Margaret of Antioch': www.nationalgallery.org.uk/paintings/francisco-de-zurbaran-saint-margaret-of-antioch
🎨 Find out more abou Francisco de Zurbarán: www.nationalgallery.org.uk/artists/francisco-de-zurbaran
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
Trafalgar Square, London, WC2N 5DN
www.nationalgallery.org.uk
Переглядів: 3 518

Відео

The Last Caravaggio: Amy Key and Naomi Kimpenu’s Artists on Artists with Dr Francesca Whitlum-Cooper
Переглядів 10 тис.16 годин тому
What do women today think of ‘The Martyrdom of Saint Ursula’? And why did Caravaggio paint himself in such a violent scene? Author and poet Amy Key and singer songwriter Naomi Kimpenu join curator Dr Francesca Whitlum-Cooper to discuss all this and more, in our latest Artists on Artists film. The Artists on Artists series from the National Gallery is available to watch free on UA-cam. We host a...
Who pioneered perspective in Renaissance art? Piero's 'Baptism of Christ' | National Gallery
Переглядів 11 тис.19 годин тому
Find out why National Gallery Director, Gabriele Finaldi, has chosen Piero della Francesca's 'Baptism of Christ' for his Picture of the Month, as we mark the beginning of the Gallery's Bicentenary year in May 2024. 🎨 Find out more about 'The Baptism of Christ': www.nationalgallery.org.uk/paintings/piero-della-francesca-the-baptism-of-christ 🖌️ Find out more about Piero della Francesca: www.nati...
The Story of Ultramarine from the Silk Road to Renoir: The Chemistry of Colour | National Gallery
Переглядів 51 тис.14 днів тому
How did ultramarine go from being more expensive than gold to one of the cheapest pigements for artists? Follow the journey of this vibrant blue colour, ultramarine, one of the most celebrated and sought-after pigments in art. Joanna Russell from our Scientific Department looks at the use of this blue in 'The Wilton Diptych' and Renoir's 'Umbrellas'. The Chemistry of Colour series explores some...
Uncovering restoration secrets of Rubens's 'The Judgement of Paris' | National Gallery
Переглядів 54 тис.21 день тому
Britta New shows how science and new technology improve our understanding of conservation changes that have been made to Rubens's 'Judgement of Paris' over its lifetime. Using non-invasive imaging techniques, including XRF scanning, today, we can see the changes Rubens himself made to the composition and size of his picture, as well as the effects of more recent conservation treatment. Britta t...
Why did Michelangelo leave this painting unfinished? | The Entombment | National Gallery
Переглядів 23 тис.Місяць тому
Why would Michelangelo leave a work unfinished? Courses and Events Programmer Caroline Miller and Gallery Educator Bethan Durie investigate with a close look at 'The Entombment'. In 'The Entombment' Michelangelo depicts the moment that Christ's body is moved to the tomb, but he left this work unfinished. It's understood that he abandoned this work to create one of his best-known pieces, his scu...
Introducing a new painting: Poussin's 'Eucharist' | National Gallery
Переглядів 8 тис.Місяць тому
Head of Conservation Larry Keith and curator Dr Francesca Whitlum-Cooper introduce our new painting, 'Eucharist' by 17th-century French artist Nicolas Poussin, and discuss the painting's recent conservation treatment which has been generously supported by Graham and Joanna Barker. 🎨 Learn more about the painting 'Eucharist' on our website www.nationalgallery.org.uk/paintings/nicolas-poussin-euc...
Unexpected Views: Jananne Al-Ani on 'A View of Delft after the Explosion of 1654' | National Gallery
Переглядів 4,3 тис.Місяць тому
Artist Jananne Al-Ani talks about the interesting parallels she found between Egbert van der Poel's 'A View of Delft after the Explosion of 1654', a relatively new find for her in the collection, and her own research. Egbert van der Poel's painting of a hugely significant event in the history of Delft has captured the imagination of many writers. Find out how Al-Ani came to know the painting an...
An engineer's take on Turner's 'Rain, Steam and Speed' & 'Dutch Boats in a Gale' | National Gallery
Переглядів 30 тис.2 місяці тому
Is there engineering in art, as well as art in engineering? We look at Turner's famous depiction of a steam train in 'Rain, Steam and Speed' and stormy seas in 'Dutch Boats in a Gale' (1801). Rob Bell from the Institution of Mechanical Engineers gives us an engineer's take on these two paintings at the National Gallery. The Institution of Mechanical Engineers was founded in 1847 and has over 10...
How do architecture and art interact in a museum? | Annabelle Selldorf: The Linbury Lecture 2023
Переглядів 5 тис.2 місяці тому
How do you design a space for art? Architects respond in many ways to specific collections and curatorial narratives to engage us with work of arts. And they provide literal and figurative space for contemplation and dialogue. Annabelle Selldorf, the founding principal of New York City-based Selldorf Architects, delivers the 2023 Linbury lecture, exploring the relationship of architecture to ar...
How has the Narcissus myth inspired queer artists through history? | National Gallery
Переглядів 12 тис.3 місяці тому
With its story of forbidden desire and tragic beauty, the Narcissus myth has long inspired artists. Through images from the Renaissance to today, Holly James Johnston explores how the myth has found particular resonance amongst queer literary and artistic circles. Works referenced in this video: Claude, 'Landscape with Narcissus and Echo', 1644: www.nationalgallery.org.uk/paintings/claude-lands...
Why is this painting black and white? Boilly’s ‘A Girl at a Window’ | National Gallery
Переглядів 137 тис.3 місяці тому
Artist Louis-Léopold Boilly was an 18th-century master of illusionism. Here, National Gallery curator Francesca Whitlum-Cooper looks at his amazing black and white painting 'A Girl at a Window' to ask why it’s pretending to be a print. 🎨 Find out more about 'A Girl at a Window': www.nationalgallery.org.uk/paintings/louis-leopold-boilly-a-girl-at-a-window 🎨 Find out more about Louis-Léopold Boil...
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
Переглядів 125 тис.4 місяці тому
A Glimpse into the World of Pastel: Discover Liotard and The Lavergne Family Breakfast
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Переглядів 8 тис.4 місяці тому
3-minute meditation: A slow look at Hobbema's Dutch landscape | National Gallery
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Переглядів 2,9 тис.5 місяців тому
Creating Character: Volker Hermes and Peter Brathwaite’s Artists on Artists | National Gallery
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Переглядів 20 тис.5 місяців тому
Are these paintings Medici propaganda? | Gold and silver restoration | National Gallery
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Переглядів 15 тис.5 місяців тому
Why is this painting semi-circular? | Fra Filippo Lippi's 'Annunciation' | National Gallery
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Переглядів 12 тис.5 місяців тому
Creating Character: Hayley Atwell and Jessie Burton’s Artists on Artists | National Gallery
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Переглядів 3,8 тис.5 місяців тому
Céline Condorelli: Pentimenti (The Corrections) | National Gallery
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
Переглядів 8 тис.6 місяців тому
Imagine discovering your family history in two famous galleries | Linked Lives: National Gallery
How are contemporary artists inspired by art of the past? | National Gallery
Переглядів 3,1 тис.6 місяців тому
How are contemporary artists inspired by art of the past? | National Gallery
Hip-hop photographer Eddie Otchere on Hendrick ter Brugghen | National Gallery
Переглядів 3,7 тис.6 місяців тому
Hip-hop photographer Eddie Otchere on Hendrick ter Brugghen | National Gallery
Four Sensational 17th-Century Portraits by Frans Hals 🤩 | National Gallery
Переглядів 30 тис.6 місяців тому
Four Sensational 17th-Century Portraits by Frans Hals 🤩 | National Gallery
What were Frans Hals' earliest paintings? | Behind the Scenes with Conservation | National Gallery
Переглядів 21 тис.7 місяців тому
What were Frans Hals' earliest paintings? | Behind the Scenes with Conservation | National Gallery
How did Frans Hals transform portraiture? | National Gallery
Переглядів 50 тис.7 місяців тому
How did Frans Hals transform portraiture? | National Gallery
The gory story behind this 16th-century painting: 'The Judgement of Zaleucus' | National Gallery
Переглядів 16 тис.7 місяців тому
The gory story behind this 16th-century painting: 'The Judgement of Zaleucus' | National Gallery
The painting stealing Van Gogh's spotlight: Hodler's 'Kien Valley' | National Gallery
Переглядів 36 тис.8 місяців тому
The painting stealing Van Gogh's spotlight: Hodler's 'Kien Valley' | National Gallery
Trailer | The Credit Suisse Exhibition: Frans Hals | National Gallery
Переглядів 240 тис.8 місяців тому
Trailer | The Credit Suisse Exhibition: Frans Hals | National Gallery
Why did Frans Hals paint monsters in his friend's portrait? | National Gallery
Переглядів 67 тис.8 місяців тому
Why did Frans Hals paint monsters in his friend's portrait? | National Gallery
What's it like to sit for a famous artist? | Paula Rego: Crivelli's Garden | National Gallery
Переглядів 12 тис.9 місяців тому
What's it like to sit for a famous artist? | Paula Rego: Crivelli's Garden | National Gallery

КОМЕНТАРІ

  • @barneyporter6138
    @barneyporter6138 4 години тому

    This looks like Whoopi Goldberg when she look better 20 years ago

  • @jemaltedoradze098
    @jemaltedoradze098 9 годин тому

    Caravaggio was a Great Master of light and shadow ..

  • @robertafierro5592
    @robertafierro5592 10 годин тому

    Wow!

  • @user-ds6ov8jr5n
    @user-ds6ov8jr5n День тому

    Afghanistan source.

  • @saulemaroussault6343
    @saulemaroussault6343 День тому

    When watching, you have to remember that a camera, even a good one, struggles to render colours properly. Natural ultramarine is even richer and more vibrant in person.

  • @jon780249
    @jon780249 День тому

    Excellent analysis.

  • @jon780249
    @jon780249 День тому

    Eloquent, informative and persuasive. Thank you.

  • @connorchubbuck9377
    @connorchubbuck9377 2 дні тому

    Just saw some of his work in BYU Museum of Art.

  • @stellajohnston295
    @stellajohnston295 2 дні тому

    Very informative and interesting 😊

  • @saintlaurent6041
    @saintlaurent6041 2 дні тому

    I like this history

  • @myoungrhee1576
    @myoungrhee1576 2 дні тому

    This is one of my favourite paintings in the gallery (along with The Nativity). Very beautiful and very interesting. Thank you :)

  • @trudirosie4186
    @trudirosie4186 2 дні тому

    Thank you for such a great talk on the Baptism of Christ by Pietro Della Francesca. It's good to be helped to understand such lovely works of art. One question: are the Three Kings being depicted in the lower right hand corner of the picture?

  • @emilydeveremoss
    @emilydeveremoss 3 дні тому

    less that 1% of your collection being painted by women is honestly appalling

  • @AvalonDreamz
    @AvalonDreamz 3 дні тому

    Gotta love Rubins big healthy ladies! I absolutely adore Rubins artwork.

  • @M.O.1981
    @M.O.1981 3 дні тому

    Excellent! Thank you.

  • @hiviolet007
    @hiviolet007 4 дні тому

    That was wonderful! The National Gallery is my favorite museum and congrats on 200 years!🎉. I just have one observation about the painting. I found it unusual for the man who is in the process of taking off his garment to be wearing tight underwear. I realize the painting is not meant to be true to life but I just never would have thought that a seemingly tight fitting underwear would even be possible in the 1400’s. Could it be that the artist decided to paint them on for modesty’s sake? I guess I assumed most men back then just didn’t wear undergarments. Interesting! 😊

  • @brazenzebra
    @brazenzebra 4 дні тому

    Excellent! Thank you. The 2024 book "The Last Caravaggio" by Dr. Cooper is a must buy, must read for me. I invite everyone who is curious, who is willing to entertain outlandish ideas, to reread "The Winter's Tale" (WT) with Marlovian Theory and Caravaggio in mind. Be honest. Is "The Raising of Lazarus" and "The Martyrdom of Saint Ursula" hinted at within WT? Is Antigonus dying alone on a beach after leaving a ship and then being pursued reminiscent of Caravaggio's death? WT's date of composition and the date of Caravaggio's death are very near in time. Is the model in the Ursula painting the same Sicilian model in the Lazarus painting? Maybe mother and daughter, like Hermione and Perdita? So, Caravaggio is painting a Sicilian Ursula, a Sicilian princess, just like Perdita is a Sicilian princess? Why is WT overloaded with subtle "bear" references? If Hermione is the daughter of a Russian emperor, then she is a female bear (a bear being symbolic of Russia even in the 1600s). Well, a female bear is an "ursa" in Latin. What does that make Perdita, the daughter of a female bear? Yes, of course, Perdita is a little female bear, an "ursula." Why does Hermione, the ursa, use an archery reference at her trial in front of King Leontes? Leontes has an ursa in the "blank and level" of his sights to shoot her dead with an arrow, similar to the king in the Ursula painting? I could go on and on, but YT is not the best forum. History is full of surprises, and there is quite a bit of mystery surrounding the life and supposed death of Christopher Marlowe. Enjoy.

  • @simon-holt
    @simon-holt 4 дні тому

    Superb commentary. Riveting and very informative. Very much enjoyed it.

  • @ErikBongers
    @ErikBongers 4 дні тому

    What version of photoshop did he use for this?

  • @widsof7862
    @widsof7862 4 дні тому

    I’ve not come across many ‘nude’ Christ figures in religious art, did attitudes change after this period or was this unusual at the time?

  • @asztapaszta9
    @asztapaszta9 5 днів тому

    Nice conversation and nice concept, i hope you will do more! Thank you for sharing!

  • @mamasmurf7830
    @mamasmurf7830 5 днів тому

    The irony that she’s holding forget me nots, and yet, has been forgotten….

  • @oleglinkov
    @oleglinkov 5 днів тому

    minecraft brought me here 🤣

  • @tapiolankiira1968
    @tapiolankiira1968 5 днів тому

    no joke really, just normal Memento Mori aspect

  • @TwinCitiesOxygen
    @TwinCitiesOxygen 6 днів тому

    Not doubting Thomas, but Thomas the believer. ☦️

  • @veeisher
    @veeisher 6 днів тому

    While ever have their favorites… Caravaggio is my favorite Favorite ❤❤… I always thought the arrow went through the young lady and also hitting the guy behind her.. he kinda has the gray tone as well but I love his work.. and what I love most is his realism realistic paintings I love his color palettes and his courage to paint what he painting during his time because he had some very controversial paintings and so many people did not like him… I know his background and I wished he’d had a better past but you know… I will choose Caravaggio before anyone in fact I don’t and won’t choose Van Gogh sorry 😂 Caravaggio is my guy my favorite artist of all time first. I draw realistically because of him… he inspired me with his paintings. I studied Baroque in 2015 🙏🏽 ❤🎨🧑🏽‍🎨

  • @MariaCruz-lp2ki
    @MariaCruz-lp2ki 6 днів тому

    Great video! Thank you for sharing.

  • @asztapaszta9
    @asztapaszta9 6 днів тому

    Nice conversation, thank you for sharing!

  • @kimpenu
    @kimpenu 6 днів тому

    🖤🖤

  • @sherryzimmerman9220
    @sherryzimmerman9220 6 днів тому

    EXCELLENT presentation…”I so agree we must ALL see ourselves in the world whether in the classroom to the museum….from birthing to the aging of we ELDERS on the journey of us a people’s/ citizens of the world……

  • @sacredkinetics.lns.8352
    @sacredkinetics.lns.8352 6 днів тому

    ` As always very interesting topics. Thanks allot.

  • @tothelighthouse9843
    @tothelighthouse9843 6 днів тому

    To me, blue and gold speaks of earthly/worldly riches. Blue white and gold feels like it speaks of heavenly/spiritual riches.

  • @rotterred991
    @rotterred991 6 днів тому

    Congrats on 200 years! It's been many years since I donated, and I'm glad to see you have managed without me. :) I need to add that I know there are several videos that the NG has put up about this particular painting, discussing it in detail (I think after some restoration? I can't be bothered to look, and I'm old, so you can't make me), so I know I've had the opportunity to study this painting at some length - though this is the thing about "studying" isn't it? One really needs to study and study more and more; I think it should be hanging in my living room, that would help - yet, this is the first time that I've recognized, i.e., consciously become cognizant of the fact, that the guy in the background who is preparing for his baptism is wearing BVDs! I'm amazed. You know, all the paintings you see from that time they all wear those tourniquets. I mean, not just Jesus, but, for instance, the two thieves or whatever they were who were crucified along with Jesus, they wore that lap-dance type underwear, too, but here this guy is wearing briefs much like those cheap ones I get at Target. I think that's a miracle.

  • @karyannfontaine8757
    @karyannfontaine8757 6 днів тому

    How wonderful to feature a talented artist, Sharon Walters, who certainly is deserving. Enjoyed her chat.

  • @nonameeeeEeno
    @nonameeeeEeno 6 днів тому

    first!

  • @AffectionateIcyComet-ko8lv
    @AffectionateIcyComet-ko8lv 6 днів тому

    Awesome ideas and the accent magnificent go ahead Salam from Saudi Arabia

  • @nationalgallery
    @nationalgallery 6 днів тому

    Explore Caravaggio's last-known work and the women's stories around it in our new film for our current exhibition The Last Caravaggio: ua-cam.com/video/7fsM4M2bbBg/v-deo.htmlsi=7MTrk10BPNOoETdS

  • @manifesteraddams8068
    @manifesteraddams8068 6 днів тому

    I never realised the shield has the actual head on it!

  • @anakhizanishvili646
    @anakhizanishvili646 6 днів тому

    Thank you for this video ❤

  • @lynnblack6493
    @lynnblack6493 7 днів тому

    Passing along such detailed and complicated a process. As the Met rep said, not always done, but when necessary certainly preserves and improves a National treasure!

  • @lynnblack6493
    @lynnblack6493 7 днів тому

    I congratulate the Gallery on such an important anniversary. Having just spent a few hours in the Renaissance exhibit, in the basement, on my recent visit to UK, I want to confirm how awe inspiring it all is to a Canadian from our backwoods. Thank you.

  • @shelleydavis1040
    @shelleydavis1040 7 днів тому

    Interesting interpretations good to hear different points of view but I disagree. It looks to me that Caravaggio is standing so close behind St Ursula with his arm around her that he has been shot by the arrow through her body and that is why he doesn’t look at her as he is in pain from the arrow. There is a precedent here as he painted his own severed head as Goliath on a platter in an earlier painting showing that he identified with the characters that he painted. I would say that he must have identified in some way with Ursula and therefore is not just a voyeur on her situation as person who feels unempowered by circumstances.

  • @KS-vg4jo
    @KS-vg4jo 7 днів тому

    Just heard Arun play in Bristol. He's an incredible clarinetist- beautiful performance.

  • @sherryzimmerman9220
    @sherryzimmerman9220 7 днів тому

    LOVE and APPRECIATE these discussions as a “Conversation Starter” for small group discussions….the best of social media for all to share out with the world…..

  • @Dominic-mm6yf
    @Dominic-mm6yf 7 днів тому

    Could be a collection of country scenes he saw together in one painting.

  • @philipmurphy2
    @philipmurphy2 7 днів тому

    Great discussion on a wonderful modern painting.

  • @Siansonea
    @Siansonea 7 днів тому

    Great discussion. It's wild how modern this painting seems.

  • @sallyjordan4869
    @sallyjordan4869 7 днів тому

    I enjoyed this conversation between 3 thoughtful women. Thank you!

  • @cartomancycarmen
    @cartomancycarmen 7 днів тому

    The King Von of high art! I love Caravaggio’s bad boy self❣️ But Artemisia Gentileschi is my favorite baddie

  • @jaysmith8199
    @jaysmith8199 7 днів тому

    Caravaggio is in virtually the exact same position and same expression as the Jesus and Judas picture. Almost like a cartoon - Caravaggio was 'ere. Big ego like Rembrandt. Interesting discussion, different slant on the painting.